![]() He saw that people were designed to lead healthy and productive lives using four essential functions of life: eating, breathing, moving and thinking. ![]() Hashimoto believed that broader life principles, the Four Pillars of Health, were embraced by this treatment method. The Sotai method aids in healing dysfunctional patterns across a range of bodily systems such as the circulatory, nervous, endocrine, and neuro-muscular.ĭr. Sotai is said to ‘re-educate’ and structurally integrate the body which leads to health. Health is restored by releasing muscular patterns causing imbalance and physical distortions. Therefore, healing involves restoring the body’s optimal alignment and relieving strain. It is grounded in the philosophy that the body naturally moves toward balance and away from pain. ![]() His integrated knowledge of East Asian and Western medicine provided the foundation for its development. Sotai was invented by the Japanese surgeon, Dr. A Sotai treatment is generally described by patients as relaxing. Sotai practitioners use light touch and simple movements to diagnose and treat. Because there are many systems of bodywork that use sometimes painful techniques to release neuromuscular problems, Sotai’s gentleness often surprises. Japanese Sotai uses gentle movement performed against light resistance. Sotai is a core philosophy and practice at our clinic. In the Japanese tradition, acupuncture and hands-on bodywork have historically been paired, perfectly complementing each other. One such combination is Sotai and acupuncture. In the tradition of East Asian medicine, Jeffrey uses various treatment modalities together. Location Currently not on view ID Number 1997.0106.01 catalog number 1997.0106.01 accession number 1997.Japanese Sotai is one treatment method used by Jeffrey Russell. The donor received the abacus as a gift from Simon Newman, Deputy Director of Research and Development of the U.S. The three characters carved on the center of the cross piece represent general words such as “happiness” or “wisdom.” The loops and the orientation of the characters suggest that the instrument was sold as much as a wall ornament as a practical device. Holes drilled at one end hold loops of green plastic twine that are held together with a small metal ring and allow the instrument to be mounted on a wall. Metal brackets hold the instrument together at the corner, with two wooden supports at the back. Two thinner cross pieces divide the groups of seven into groups of two and five. A relatively thick wooden cross piece down the center divides the beads into groups of seven. It apparently was designed for use by two people at once. Suan-p'an, or Chinese Abacus (Double) Description This double abacus has a wooden frame with 25 columns of wooden beads which slide on bamboo rods. Location Currently not on view date made 1958 ID Number 1989.0709.01 catalog number 1989.0709.01 accession number 1989.0709 Data Source National Museum of American History Crook (1886-1976)," digitized by the Stanford Historical Society. On Crook, see: Stanford University Faculty Memorials, “Memorial Resolution Welton J. The abacus and the related book were given to the Smithsonian by Washington, D. For a copy of this paperback, see 1989.0709.03. His short book was published in 1958 by Pacific Books in Palo Alto, California, and sold tens of thousands of copies. Crook became fascinated with the abacus on a visit to Hong Kong, and resolved to publish a clear exposition on the instrument in English. ![]() This form of abacus was sold in combination with a book entitled Abacus Arithmetic by the Australian-born metallurgist, Stanford University graduate, and later Stanford professor of metallurgy Welton J. The beads are rounded, as on other Chinese abaci. Each column has two beads above the crossbar and five beads below. A wooden cross bar holds 13 columns of beads. ![]() Suan-p'an, or Chinese Abacus Description This instrument has an open wooden frame held together with brass nails passing through metal bands. ![]()
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